A dark red sun rises in a lavender sky, colored by smoke from fires more than a thousand miles away. The same unknown creature makes its intermittent pulsating squawks from deep in the woods until the light comes. The itinerant geese, who have restless nights, have been stirring for some time. The sun light has begun to penetrate the woods in pink shafts. I can see the shadows of creatures moving through the backlit brush. Maybe deer. Maybe coyote. Maybe turkey. A big hawk perches on a precarious branch. All the world reveals itself in morning as it has for millennia, and will for millennia more.
But Margaret is not here.
I got a call yesterday morning, and when I saw the name I guessed what the news would be. She would have been 90 on October 6th. She was my godmother and friend; a survivor of the Nazi bombings; an inveterate dog lover. She called me “lovey”. No one else will do that now.
It seems strange that so deep a change should go unnoticed in the universe. It strikes me anew each time someone I care about dies. It feels to me as if it were a burial at sea, when the one you love dips beneath the waves of time and disappears forever.
It was the most beautiful summer I can remember here. Day after golden day unfolded in rich, scented glory. The sun, the heat, the lushness of the woods and garden, the perfect refreshment of the lake were everything anyone could wish for. But it was an odd summer, too: no picnics with friends, no Memorial Day, no parties at the lake, no baseball in May and June, no Fourth of July, no parade, no fireworks, no farmers market, no family reunion, no Labor Day end of summer celebrations. There were no markers, no points in time. Just the silent turning of the earth, the move toward the sun and then away from it, the days turning, too, from morning to afternoon to evening. The light lengthening, the light retreating. The restless sleep. Then morning again.
It’s difficult to explain the dreamy quality of life these days. I tell myself it should be a time of joy and productivity, but somehow it isn’t. It’s not a happy dreaminess—I don’t know how it could be—but it’s not unhappy, either. It’s a sense of unreality; as if time is over.
While the pandemic rages on in the world, I feel a bit like a medieval monk, having raised the drawbridge and retired from the world to write my scrolls. My husband and I work from home at the best of times, and aside from the busy travel schedule we both had, our lives are essentially unchanged.
I am not ungrateful. But I am puzzled by the peculiar—I won’t say lethargy, exactly—but fatigue we both feel. He, in particular, has been working harder than ever. He has demands on him. My own deadlines are mostly self-imposed. But I have been in a heavy languor, having finished my novel in December, and then almost immediately plunging into grief. For the first three months after Moses died, I was deeply stricken. Then came Eli and the pandemic, which were, I suppose, distractions.
It feels now as if we’re on one long snow day from real life. It’s an illusion, of course. We don’t get to make up the days lost in our lives. They won’t come back. But the sense of being out of time is life-changing, and I sometimes fear I will never have ambition or energy again. I can’t even really say why.
The wheel of days keeps turning, but our lives feel stopped. I am one of the lucky few. I am living in a dream, away from the world, with the capability of tuning it out almost completely if I choose. Maybe I am numb to keep myself from missing things too keenly, from worrying about the world too much, from feeling there’s more than the usual tragedy and suffering. Or maybe it’s a lack of stimulation. There’s nothing but the weather to help discern one day from another.
Last year in August I came down with a severe case of influenza, picked up while cuddling my sick grandson. He had a mild fever and a cough. But it was the sickest I have ever been in my life, with a terrible, painful, racking cough, and high fever. There are two or three days that I don’t remember. I couldn’t eat. I didn’t want to. I could only cough in agony and sleep for almost ten days. It took me months to recover. Looking back, it feels like a warning. If I was that sick with regular flu, I suspect I would not survive this.
So when I do go out, every minor activity requires preparation: the mask, the hand sanitizer, the wipes, the gloves—just in case. The stress of being out in the world feels at the moment like a mere nuisance. It isn’t until I get home that I feel the exhaustion of it. But that’s not the source of my daily fatigue.
We have no reason to be out and contributing to the spread of disease, so we stay at home. Very few, limited family visits, no restaurants, no excursions with friends, no shopping. No hugs. The annual summer month with our daughter and French grandchildren was cancelled. By the time we see them two years will have passed. My sister has a new house in another state I haven’t seen. Our granddaughter on the east coast has started walking. My annual trip to Minnesota for a friend’s birthday is cancelled.
These are very small things in the wake of so many larger sacrifices by so many others. But I am ashamed to admit that it can be hard. For those who have lost their lives, and for those who grieve them, just one more of these slow, languid days would be a prize beyond reach. It is a sin not to be grateful every day for my family’s good fortune. But sometimes even the counting of blessings lies heavily against the heart. Everything seems to require tremendous effort.
The sunrises are coming later and later as autumn approaches. Dawn is marked by the stirrings of the geese, but I realize I haven’t heard a robin in weeks. Auggie lies nearby, waiting impatiently for the signal that I may be ready to take him outside for the first green ball session of the day. Eli snoozes on my foot. He has a softer disposition than Auggie, with less drive and more patience. Pete has already disappeared, without greeting, to lie at my husband’s feet in his office. With limited sight and hearing he moves in an ever decreasing world, but still loved, still happy, still nagging for his dinner.
We all have dreams, and hopes, and longings to color our thoughts, but life consists primarily of how we spend our days. We will go for a walk today, and do some chores, and call my friend for her birthday. I will do a crossword puzzle, with its utterly inexplicable satisfactions. There are pleasures in a clean floor, an orderly room, the first cup of coffee, the scent of clean air, the affection of an animal. We will watch the sunrise, walk in the sunlight, play ball with the dogs, and drink wine in the golden red light of evening, somewhat mitigated by the annoyance of mosquitoes. And then we will go to bed, and to sleep, hoping, in an uneasy world, for the wisdom and grace to appreciate what we have.
I began working on the stone path along side our house last year, but I’d been thinking about it for much longer than that. Our house is in the woods, which, while lovely, makes it difficult to grow grass, particularly since I refuse to use any chemicals that could be unhealthy for the dogs, or our well water, or for the trout stream at the bottom of our hill. Consequently, in an area with splendid green lawns that would put a golf course to shame, we have weeds and mud. We also have three large dogs whose ramblings, scramblings, and various activities discourage thriving plants.
Winter, when the snow has fallen, is a reprieve, but in the transitional periods, when there’s rain and mud, I fight a tedious battle with muddy dogs, floors, bedding, and walls. It’s not my preference, really, but it’s that or squalor, and I want to keep the dogs.
People wonder why I love winter.
In any case, fed up, I finally bestirred myself last year to build a stone path around the house where the worst of the mud is. My decision to start had nothing to do with the approaching deadline for the completion of my novel, or my writer’s block, or the peculiar urges for home projects that come upon me when I should be writing. I watched to see where the dogs had made their path, and went to the quarry to order stone.
My plans were for a rustic path—not a pristine suburban one, but a casual, old fashioned meandering of stone that wrapped around the house and met our patio in back.
The stones were local limestone: large, flat, heavy, and uneven, and cutting out the soil to make them lie flat was painstaking work.
Drenched in insect repellent, and armed with podcasts about the Constitution and Chapter a Day broadcasts of my own book, I sat on the ground like a child with my triangular digging tool, and hacked away at the clay soil, lifting each stone again and again to make sure the ground underneath accommodated its shape. I found I could lay only about four or five a day before my energy gave out. But gradually the path wound its erratic way down the side of the house from the kitchen patio, and began to curve around to meet the patio at the back.
I have a personal flaw that kicks in from time to time, which is a compulsion to complete something past exhaustion. I’m not completely sure of the factors that go into creating these personal storms, but when they come together, I am driven by them, occasionally to my detriment. They are more frenzy than conscientiousness.
I was in one of these fevers when I carried and began to maneuver a particularly large and heavy slab of rock. It was almost three feet long and a foot and half wide, and it was heavy. I wrestled it into my grasp and carried it the thirty feet or so to where I was working. I had already created a roughly cut space for it in the soil, and planned to place it, then cut around it to make it fit. I plunked it down, only a few inches from where it was supposed to go, did my work, and then, with all my strength, lifted up the edge to drag it into place. Somehow, when I dropped it, I missed the right spot. It fell onto the stone nearby, with my thumb in between.
That was last July. I still dream of the splendid vanilla frozen custard on a waffle cone I bought myself as consolation on the way home from the emergency room with a broken thumb. This is September. The path is unfinished, the remaining stone is still stacked at the edge of the driveway and beginning to grow moss. Another winter looms, and another muddy spring. I’ve been reluctant to break another finger–or worse–but I realize that I have to get the blasted thing finished. It’s a pandemic. I have time. I tell myself if I put down just one stone a day, I can be finished before the snow falls. But I know that the hassle of getting ready to do the job and of cleaning up afterward means that I will feel compelled to do more than one. I have promised myself that this week I will start.
When I was very small and just learning to read, my grandmother gave me a fat, red volume of best-loved fairy tales. I was very proud to have a grown-up book, and I was unintimated by the size of it, only by its lack of illustration. I doubt she ever had any idea of how much influence it would have on me. I lived inside that book. Through fairy tales I absorbed the virtues and values of a moral life that were highly prized and perfectly expressed in those stories. The rules, although never explicit, were crystal clear.
1. Be kind, particularly to strangers and very odd creatures. You never know who could be a fairy in disguise.
2. Be worthy. Because goodness is rewarded one way or another.
3. Be brave—which is not the same as fearless.
4. Be patient. There are trials in life.
5. Share. Even if you have very little, allow a hungry creature—human or otherwise—to partake of your meager meal. See #1
6. There are witches, evil fairies, gnomes, trolls, and cruel stepmothers who will try to harm you; and elves who will try to trick you. Beware.
7. Be wily, but be true. Put your values above risk.
8. Liars and crooks will be punished.
9. Beware of step parents (which, if you read the news, maybe isn’t such terrible advice).
10. The world is wild and cruel, but there is beauty and magic in it.
One of life’s most important lessons is an undercurrent in nearly every fairy tale: Be prepared to encounter evil. But—and this is key—the mere presence of evil in the world is less significant than how evil is faced. Fairy tales are filled with those who stand firm on the side of goodness, as well as with those who capitulate and meet a bad end. When faced with cruelty the heroes of fairy stories are kind. When faced with duplicity they are patient, wily, and clever. They persevere through great trials. They are hungry, cold, cast out, forbidden from attending the ball. But they win in the end.
Adults tend to be squeamish about the raw cruelty in fairy tales, and in this era of unhealthy over-protectiveness there is earnest talk about damaging tender psyches. We forget that children are a curious mix of literal understanding with no capacity to grasp mortality. Death won’t happen to them. Uncomplicated black and white rules are comprehensible. So amidst the fascinating stories of poisoned apples, evil enchanted dogs getting their heads cut off, witches baking children into gingerbread, and cruel stepmothers leaving innocent children in the woods, young readers are able to both express their fears, and absorb the lessons of the world without pedantry or ambiguity.
People often focus on the princess stories, believing how wrong it is to teach girls that they will be rescued by a prince. I don’t think that’s the message at all. I think the message is: if you aregood, and kind, and patient, you will be rewarded with love and happiness, and maybe a little bit of magic.
The classic heroines of fairy tales, Cinderella, Snow White, and Sleeping Beauty all endure cruelty and unfairness, but they aren’t changed by it. They are lovely because they are filled with kindness and generosity of spirit. If you get caught up in the their beauty—or that of the handsome prince—you miss the point. Their physical beauty (and the wealth and high status of the prince) are metaphor. These young women have good hearts; this is why they are desirable. This is why they deserve love and the rewards of a good life.
In my experience, little girls who want to be Cinderella want to be good as she is, not wicked, like her stepsisters. The stepsisters are sometimes depicted as being physically ugly, but their true ugliness is in their characters. They are proud, haughty, selfish, and vain, not to mention cruel. Little girls may want to be pretty, too, (who doesn’t?) but properly exposed to fairy tales, they internalize the real message: that beauty is inside. Wise adults refrain from imposing their own anxieties, and emphasize the true lesson of the stories: that what matters is how we treat others, and whether we give of ourselves.
In the world of fairy tales, how we treat others is of paramount importance. A recurring theme is the necessity of being kind to strangers—human or otherwise—even the ugliest, oddest, most terrifying of them. The hungry stranger at the gate is given a bowl of porridge when food at the cottage is scarce; the trapped wild animal is gently released, even at risk to the rescuer; the demanding and ugly frog is kissed. The result is more wonderful than could have been imagined.
It worked for me.
Many years ago, I was kind to someone when I didn’t always feel like it. He would call wanting to talk, and I would put my day on hold to listen, even though it was, frankly, a bit of a nuisance. We would sometimes talk for hours. I had not been kind as a means to an end. I had no inkling that he would have influence in my favor. This went on for years. One day, out of the blue, he called to tell me about an important job; one that changed my life. His recommendation got my interview. It wasn’t until much later that I realized he had been the fairy at my gate, disguised as a beggar.
Again and again, physical appearance is shown to be deceptive; it is the goodness of the character that truly matters. Cruel stepmothers can be beautiful but dangerously vain. Horrifying deformities may hide a fairy. A hideous beast may hide a loving prince. In a tale like Beauty and the Beast the power of love transforms the qualities of human nature, and children learn to look past superficial appearance and gruffness to the heart that beats beneath. Its message—like that of nearly every tale—is that love tames the beast in us all.
At the same time, any one of us can fall prey to greed, selfishness, and stupidity, and this, too, is wise counsel. Any wish-granting tale will caution what can happen to decent people when unexpected wealth comes their way. Or, come to think of it, any newspaper story about a lottery winner.
These stories mostly share Judeo-Christian values, but I believe that many of them pre-date Christianity. Consider the theory that legends of elves and gnomes hiding in the forest may be a memory of the interactions between modern humans and Neanderthals, who, we now know, existed contemporaneously. Fairy tale morality reflects the basic infrastructure of a healthy society. It shows an imperfect world made better or worse by the deeds of us all. And it suggests that acting with a good heart—without cruelty or rancor—will be rewarded.
There aren’t all happy endings. Hans Christian Andersen’s Little Mermaid—which is a relatively modern tale—teaches about injustice, and envy, and trying to be what you’re not. It is a tragedy as pure as Romeo and Juliet, with miscommunication leading to heartbreak and death. Nevertheless, the goodness of the mermaid herself is rewarded, even if she does not win her kind (though somewhat stupid) prince.
Think about what the public discourse would be like if everyone followed the standards of fairy tales. Twitter would dissolve like a wicked witch doused with water. Immigrants and strangers would be seen as beings with hearts and souls like our own, and welcomed at our gates. The hungry and afflicted would be treated with kindness and fed from our own pantries. Animals would be protected and cared for. Library books would be returned on time, even if it meant walking through storms to get there.
When I hear discussions about the dangers of fairy tales to young minds, I think of what I learned from fairy tales, and take a look at the world around us.
It was three decades ago when J.F. Riordan discovered the island that would become her muse for four novels and counting. “I was in Door County,” she told me recently by phone, “just looking for something to do, and decided why not go see what’s on the island?” Washington Island sits some seven miles northeast of the tip of Wisconsin’s Door Peninsula and is reachable by ferry. “From the first moment I set foot on that ferry,” Riordan says, “the magic of the place swept over me. And it’s really never gone away.” Riordan appeared at a Mystery to Me virtual author event September 10 at 7 p.m. with A Small Earnest Question, her new novel and the fourth in her North of the Tension Line series, which was also the title of Riordan’s 2014 debut. Click here to watch a replay of the event! The books have earned praise for their mix of mystery, humor, and the inevitable intrusion of small-town politics into daily island life. Riordan herself says, “The beauty of the mundane is really what my novels are about.” She said it while we were discussing her earlier life as a professional opera singer. Riordan was born in New Jersey but moved as a child with her family to Michigan, then Wisconsin. She learned to love music early, from her father, whose mother took him to weekly performances of the famed Metropolitan Opera. Riordan had barely reached her teens when she announced she would be an opera singer. “I was probably about 13,” she says. “I started preparing myself quite seriously. It was completely lucky that it turned out I actually had talent. That wasn’t a given.” At 16, Riordan left high school to enroll at the University of New Mexico, drawn by a particular teacher to study voice. “A mixed bag,” she says now of the decision. “Sixteen is pretty young.” Still, she fulfilled her goal and became a professional, a life less glamorous than perhaps perceived, with its backstage squabbles and constant travel to opera houses in small European cities. “I was lonely,” she says. “Homesick.” The experience produced an epiphany: “Your life is really how you spend your days. It’s your everyday life. It’s not some grandiose dream. I was miserable.” Riordan moved back, eventually earning a college degree in English and teaching three years in the Milwaukee inner city, where she coached a forensics team.
It was after she began another job, working for a foundation doing philanthropic research, that Riordan began to write, squeezing in time early mornings or late at night. She likes the essay form and considered a nonfiction book on her teaching experience. Slowly, however, the fictional story of former Chicago newspaper reporter turned freelance writer Fiona Campbell and her eccentric cast of friends and adversaries on Washington Island took shape. “I think it took seven or eight years to write,” Riordan says. “There’s a lot of self-doubt and questioning when you’re writing a first book because you don’t know if anybody wants it. You don’t know if it’s ever going to be read or published.” Her husband, Charlie, was supportive, laughing in the right places when he read the early chapters, and bluntly counseling her not to think about agents or publishers, when she raised the subject. “None of that is your business right now,” Charlie said. “Go upstairs and write the damn book.” When the manuscript of North of the Tension Line was finished, Riordan sent it to a few agents, scattershot, uncertain of the process. “I submitted my manuscript to someone who specialized in historic railroads,” she says. She also sent it to a few trusted friends, one of whom worked in the same office building as a book publisher. This friend’s wife loved the novel, and that was enough for the friend to talk to the publisher, Eric Kampmann of Beaufort Books, who gave Riordan the contact information of his editor-in-chief. Riordan sent the manuscript that night, a Thursday. Charlie counseled patience. “You know, it will be a month before they look at it. Start another book. It will be a while.” The following Monday, Riordan was at home checking email after a busy day at work. The editor was back in touch: “Loved the book, couldn’t put it down, read it all weekend. Attached is a contract.” Charlie was in another room. Riordan recalls, “He said I made a noise that made him think there was an animal in the house.” A life-changing moment. “That never happens,” Riordan says. “I was very fortunate.” And – clearly – highly-talented. Three more Tension Line novels have followed, and a book of essays, Reflections on a Life in Exile.
Of the new novel, A Small Earnest Question,Riordan says she wrote two endings and didn’t decide which one to put in the book until a week before she submitted the manuscript. The title came out of something her copy editor said in a meeting. “She is not a hesitant or timid person,” Riordan says of the editor, who nevertheless framed a query by saying, “I have a small earnest question.” Riordan recalls, “As soon as she said it, I said, ‘Oh, my God. That’s the title of my next book.’” Riordan’s love of Washington Island – so evident in the novels – is also mirrored in the title of her book of essays. “When I say I live in exile in Mequon, Wisconsin, people think I’m kidding,” Riordan says. “But I’m not. I mean that quite sincerely. I’d love to live on the island. It’s just not practical. Trying to get your whole family to pull up stakes and live on a remote island in the middle of nowhere is kind of a hard sell.” She concludes, “The desire to be on the island is part of my impetus to keep writing. I can pretend I’m there.”
A note from J. F. Riordan:
Mystery to Me in Madison, Wisconsin is one the most charming bookstores anywhere. and one of my favorites to visit. Help keep our neighborhoods filled with lovely stores like this by buying my books from an independent bookseller.
The telephone rang in the sleek, city office of Victor Eldridge. As he reached to answer the pain came again with a deep, resounding blow that made it difficult to breathe. He braced his hands against his desk, waiting for it to pass as it always did. The ringing phone, mixed in the wake of his agony, was almost beyond bearing.
Victor Eldridge was not a religious man, but what he experienced now was as much of a prayer as he would ever utter. Please, let this be the end of it. Please let the pain stop.
He did not care how.
The ringing and the pain faded at the same moment, and it seemed as if the room echoed with both. He stayed frozen in position, his breathing shallow.
He straightened slowly and leaned back in his chair. There. His breath became deeper and he could feel his heartbeat slowing to its normal pace. His reason returning from the chaos of suffering, he began to think. He had much to do but very little time. The pain was gone. For now. But he knew it would come again.
It’s here…Book Four in the North of the Tension Line Series
“J.F. Riordan writes with a seductive immediacy which reveals the extraordinary in the lives of people we too carelessly think ordinary. A Small Earnest Questioncombines keen social observation, engaging characters, quiet humor, and rich sense of place. Rewarding from first page to last.” — Richard North Patterson
I have a lot on my mind: an unfinished and recalcitrant book, the usual tribulations of book sales—or lack thereof—a family reunion that includes children, grandchildren, five dogs, and one bathroom at our lake cottage, and a baby shower focused on the joy of the occasion, but whose logistics are complex. In case anyone doubts the (self-imposed) complexities of my life, I have three big dogs whose various health needs have led me to commit to giving them homemade dog food, and the coming family visits suggest that preparing 8 days of dog food in advance might be advisable. There’s a full day’s work, including the scramble to find affordable meat for them. It’s a nuisance, but the dogs are healthy, vital, and unappreciative.
I’m not sleeping well.
I defy myself in my wakefulness: I will not do laundry in the middle of the night.
I just poured myself a bourbon at 2 am, which is in violation of my own protocol, but an emergency method of acquiring some sleep before a day with many tasks.
Even in the depths of the night, the sky here is brighter than the trees, and the abstract pattern of their leaves against the pale night surrounds and engulfs the house. I lie on the couch in our library and am consoled by the sky. The dogs breathe; Pete, fast and shallow as if he is racing; Moses, deep and sonorant.. Both follow me in my restless wanderings through the house, and we share our love and our wakefulness. Auggie, in his youth, sleeps through.
I found Pete around midnight, curled up in an odd place on the kitchen floor. Yesterday morning I found him lying among the piles (no, mountains: two houses, visitors, bed linens, beach towels, clothing) of sorted laundry, far from his sleeping family. I wonder whether he seeks solitude, or whether he is actually lost: befuddled by deafness and blindness.
Pete has much joy in life. He eats with gusto, he runs and romps. He protects his interests. He polices his younger brothers. But he is an old dog, and his quiet demeanor means he is easily pushed aside by the exigencies of the moment, and each day I resolve to spend time with Pete that is only his. Each day I fall short.
Whose kid is playing booming bass on his car stereo at 3 am on our sleepy rural road?
I get up to start a load of laundry.
I am awake because my dreams were of my father’s death: explicit; agonizing. I rose from our bed and went to where my stirrings would not disturb my hardworking husband. Moses smells my tears and licks my face. I tell myself that my troubles are small. The world is filled with tragedies and pain, and my life is easy, rich, and full. But still, it is an act of will to find the right messaging for my troubled mind. I have a good life, it’s true. But even so, grief holds hard on a heavy heart.
Robert’s Rulesis Book Three in J.F.Riordan’s North of the Tension LineSeries, and is the recent winner of a Gold Medal from the Independent Publisher’s Book Awards. It is this month’s selection for Wisconsin Public Radio’s popular Chapter a Day program.
You can tune in to WPR every day to hear one of twenty episodes at 12:30 pm and 11:00 pm. It’s also available for download on their site.
It is beautifully read by one of WPR’s regular readers, Jim Fleming. Check it out!
ABOUT THE SERIES:
Wisconsin author J.F. Riordan has been called “a latter-day Jane Austen”. Her mesmerizing literary fiction makes the Great Lakes region one of the characters in this continuing series. The North of the Tension Linebooks (North of the Tension Line; The Audacity of Goats; and Robert’s Rules) represent a sensibility that is distinctively Midwestern, even though the small town politics and gossip will be universally familiar. Riordan celebrates the well-lived life of the ordinary man and woman with meticulously drawn characters and intriguing plots that magnify the beauty and mystery lingering near the surface of everyday life. Book Four in the series, A Small Earnest Question, is due out in 2020
J.F. Riordan’s Mesmerizing ‘Robert’s Rules’
Told in a beautifully crafted literary style, Robert’s Rules is an engaging story filled with deep insights about people and their environment. In the process, Riordan reveals the eccentric and oftentimes unexpected realities behind the bucolic images of modern small-town life.”
I was in New York for a book convention, and was heading home in a very good mood. My traveling companion and I have known one another for over thirty years. We met in the theater. She always comes with me to these things and acts as my carnival barker to attract people to my booth. She’s extremely good at this.
Although slightly hungover, we were reminiscing and singing old tunes on the ride to the airport. She got out at a different terminal, and for the remainder of the trip, the cab driver and I had a pleasant few minutes talking about friendship. He was a nice guy, and I tipped him well. We parted with a handshake. This is a lesson: be nice to people, and they’ll be nice to you. Also, get a receipt.
I was walking into the terminal when I reached into my pocket for my boarding pass, which was on my phone. My phone wasn’t in my pocket. It wasn’t in my handbag. It wasn’t in my backpack.
It was in the cab.
You know that sickening feeling when you’ve lost something of value. But we all have a particular and dangerous dependency on our phones that made this loss particularly dire. How would I call my husband to say I might be late? Or the dog sitter whose number I didn’t know by heart? Does directory assistance even exist anymore? I couldn’t reach my friend, only a short way away in the next terminal. Everything we need is on our phones: our TSA numbers, our insurance agent’s phone, and the most intimate details of our lives. Our wallets barely matter. Did I mention it was a brand new phone?
I checked my luggage, got a new paper boarding pass, and stood thinking about what to do. If there were any pay phones, who would I call? If I could only call the cab driver…
An airline employee named Phil was directing the lines, and when I told him my dilemma he handed me his phone. I wanted to call the cab company. “No. Call yourself,” he told me. “The driver will hear it ringing, and at least know it’s there.”
So I called myself, several times, and then went back out to the drop off, in hope that the cab might be able to come around again. But after a few minutes of waiting, the unlikeliness of this prospect sank in. I went back in to Phil, to ask, this time, if I could call the cab company. I had the receipt, and the cab number. “You’ll be on hold forever,” he told me. But I had to try. So Phil again handed me his phone while he continued his work with other passengers.
Then, as I waited on hold, a miracle happened: my own phone number popped up. I handed the phone to Phil to answer. It was the cab driver. He had pulled off and was in the LaGuardia taxi waiting area. He couldn’t just sit there, the line was moving, and he’d soon be pushed out. I needed to come immediately to get my phone. He told me to hurry. Talking fast, Phil explained that the cab area was off the airport premises, and down the highway. It was a distance, I couldn’t walk there, and I would really have to hurry.
I grabbed a cab as it was dropping off and told the driver the problem. Could he help me? We broke the rules about passenger pick-ups, and sped off. I asked him to call my phone. Soon, we were out on the highway, driving fast, away from the airport and my checked luggage, as the two drivers argued volubly about how to get to the right place
It had been maybe five minutes and I was beginning to worry when we headed up an exit ramp dodging and weaving slower traffic as if we were in a chase scene, all while the drivers continued arguing. The current driver, an African with a beautiful accent and a warm, deep voice, had a kind of other-worldly authority. The other, my kindly Afghani friend, had an almost hysterical sense of urgency. “No, No No!” I heard him screaming into the phone. “That’s not the right place! NO!”
“Listen,” said the African driver calmly as he whipped around a tiny Fiat that was driving too slowly and cut in front of it. “You have to stop talking and listen to me.”
The Fiat driver, a cute elderly lady with wild, curly hair, flipped us off.
We squeezed past a Hyundai with inches to spare, and squealed around the corner before the light changed.
The drivers, having apparently reached some kind of concord, hung up. I knew we were close, but I hadn’t understood what they were talking about. It felt like a flashback to my younger days, traveling in the Soviet Union with some Greek friends, where everyone was speaking English, but in accents I couldn’t understand. “The gas station,” my driver said, “is where the taxis get their gas. I know where it is.” But if taxi number one was in line with the cab, I wondered, how was he at a gas station. It didn’t make sense, but at this point, it was out of my hands.
As we pulled up to the gas station, my hopes fell. There was no cab visible. “He’s not here,” I said. “No,” said the driver. “I don’t see him.”
And then, at the same moment, we both saw a slight, middle-aged man standing in the gas station parking lot, jumping up and down, and waving his arms. It was our guy. He had left his cab in the line, somehow scaled a wire fence, and was waiting in the parking lot, waving my phone in his hands. He expressed his joy as freely as his frustration. I offered him a large reward, trying to put it into his hands, but he wouldn’t take it. I hugged him and kissed him on the cheek instead.
And then in a matter of seconds I was in the other cab again, racing back to the airport in a heady state of triumph. I really can’t overstate my ebullience. I was as proud of my resourcefulness in pulling this off as if I had led the troops to victory. I thanked my second cab driver profusely, and gave him a big tip. His driving had been both exciting and essential.
The rest of the trip was uneventful: even the usual irritation of the TSA experience felt soothing in its routine. It was too early in the morning to drink—although I was tempted—so I consoled myself with a latte and some $20 airport avocado toast. Still, I was reminded once again of the importance of kindness. One way or another, it will always come back to you.