The Circus

It’s nice not to be in charge. This is why being a non-custodial grandparent is so much fun. You don’t have to be responsible. You can be funny. And silly. And a little crazy. You can speak with affectionate irony, and not be worn down with worrying about whether they turned in their homework, washed the slime out of their water bottles, and picked up their damn backpacks off the hall floor.

So, it’s good to have the boys’ mom around to do the enforcement. I can get back to being the fun one.

And we did have fun yesterday, even at the grocery store. The boys were barely reined in racehorses pulling at the bit. Naturally, they were in charge of the shopping cart, which is potentially disastrous, but people were in a mood to smile indulgently when I apologized and rolled my eyes, calling out “Say excuse me!” to the boys and “I’m so sorry,” to innocent passersby. The boys were polite nevertheless, and, if I may say it, so adorable it was impossible to be annoyed.

The eleven year old is particularly endearing at this stage, with his straight dark hair falling across his big brown eyes, and his shy, accented English. He’s not careful, like his brother, and at the stage of boyhood perfection: childish, wide-eyed, charming, and full of mischief. Very much like a puppy. When they’re together, the fourteen year old reverts to that phase, too, and together we become like a small traveling circus, with me as Ringmaster.

There were so many carts and people. As I moved rapidly through produce, grabbing the last few things I wanted, I looked around for them, and there they were on the far side of the section, waiting for me, and happily waving their arms to draw my attention. Their happy faces filled me with joy, and I forgot to be tired.

Children really do make Christmas.

I’ve joked a lot about having a week-long nervous breakdown when they’ve gone. But I’m going to miss them.

Christmas Dilemma

The adults on my side of the family are in a quandary about Christmas gifts. We don’t see each other very often since I am the only one not on the east coast. Some of us love the spirit of the thing, and love the connection of everyone giving something to everyone. Some are concerned about the cost. Some of us live carefully edited lives, either by choice or by circumstance (i.e., a tiny NY apartment). Some of us don’t edit, and therefore have too much stuff.

What to do? If any of you have come upon a nice solution beyond simply exchanging names, please offer your advice. Lest you think we are keeping this to the last minute, we are.

But we’ve been debating since last year.

***

Today’s gratuitous dog photo:

He has an itchy nose.

By the way, it can be complicated to comment or like a post here. But if you sign up for WordPress and/or get their app, it is much simpler. Just a thought.

Mouse in the House

We live in the country. So, when the temperatures dipped into the teens this week, of course, that brought an influx of mice.

Mice are a houseowner’s horror. They are destructive, filthy, and carry disease. But—and I know how this sounds—I cannot bring myself to kill them. I see their big black eyes, and their tiny feet, and they are so frightened and vulnerable. They are like very tiny puppies.

By the way, did you know that mice sing to one another?

So I buy humane traps, bait them with the dogs’ freeze-dried liver treats, and early each morning load my catch into the car and drive out to a cornfield a little more than three miles away. It must be three miles, because, apparently, mice can find their way back over any smaller distance.

Yesterday I caught three. My 13 year old grandson willingly accompanies me because we stop for a doughnut afterward, and he then gets a ride to school. It’s a bit of an adventure.

Last night I set three regular traps, and something new: a bucket trap, with a little ramp and a trap door. I filled the bucket with dried leaves for a soft landing, and smeared the top with peanut butter with dog treats stuck into it. Although I can’t be sure whether anyone is in there this morning, there is a hole in the center of the leaves which suggests there might be. I’ll know when we get to the cornfield. When I dump out the bucket I will be sorry to lose the cache I’ve saved of dry leaves for soft mouse landings, but it can’t be helped.

I don’t know whether the farmer has noticed a car stopping by his field in the early mornings, but it’s a nice field, with corn stubble and lots of kernels scattered in a mouse-friendly way. I have some minor concerns about whether the mice are too cold, but I am doing my part. They are on their own now.

Godspeed, mousies. Don’t come back.

Electronic Narcissism

I like silence. Perhaps it is a commentary on the state of my nerves, or maybe it’s because I’m a former musician and my brain is aurally focused, but I find unwanted noises distracting. I need silence to think and to write, and when I want sound, I prefer to choose whether it’s words or music. So I find the contemporary taste for household appliances that ping, beep, and play tunes extremely annoying. 

If I seem cranky, it’s probably because I have been trying desperately to write a novel amidst continual interruption from household appliances.

I have a notion that devices should A) make your life easier and B) not require distraction from your thoughts, and, come to think of it, C) achieve their purposes in silence while leaving me alone. 

In my quest to break my writing stalemate, I recently packed up and left home for the seclusion of the Island. The house I rent when I go away to write is a place I know well. I have been going there for years, and it’s like a second home. It’s a charming place: roomy, but cozy, with a wonderful property where I can walk in privacy with the dogs, and a lovely landlady who knows the precise formula of solitude and companionship to feed a writer. I have written parts of all my books there, and there’s something about the atmosphere that inspires productivity. My days there are a perfect pattern of writing and walking, and no one disturbs me unless I want to be disturbed. The house is not old, but my landlady had just replaced the range, the refrigerator, and the washer-dryer, all sparkling new and ready to be used. She is a generous woman, and likes to buy quality things.

Throughout my first day, unfortunately, I spent a great deal of time debating when to tell my host that there were red squirrels nesting in the roof. I knew it would upset her, and I also knew it would mean workmen disrupting my writing. The squirrels’ chirping and scratching was irregular but loud, and I feared they were doing damage. It wasn’t until late in the afternoon that I finally realized that it wasn’t squirrels, but the new refrigerator. I have no idea why a refrigerator should make a noise like red squirrels. Maybe someone thought it was cute. Or maybe no one ever spent any time in a room where it was running. I suppose it was companionable, in its way. I mean, at least the noise resembled living things.


The stove however, was much worse than squirrels. Writing can be both lonely and vaguely excruciating, and it is during these moments that I usually take a break to cook something nice for myself. Sometimes the food in my novels is actually something I’ve just made. Food, for me, is comfort, and when I’m alone, I look forward to meals as a way of permitting myself a break, and as a kind of companionship. In some ways, it’s as much about the cooking as it is about the eating. Cooking is a pleasant diversion, and creative, but as I’m chopping onions or browning beef, my mind is able to continue the intellectual rambling necessary for building a story.

So, having grown accustomed to the refrigerator squirrels, after a few hours of work and a long walk in lovely silence, I turned on the oven, and was jolted out of my plot-related reverie by a jaunty little tune. It wasn’t just a beep, but an actual musical phrase, only with tinky-tonk noises. When I set the timer it produced another tune, and like so many electronic devices, instead of one smooth dialing motion to set the temperature, I had to press it each time I added ten degrees, each time producing another beep. When the oven reached the temperature I had laboriously set, it sang yet another tune. Apparently each melody has a specified meaning, but I’m not interested in providing room in my head for determining which is which. I found myself missing my vintage stove at home, whose only noise is the satisfying “whomp” it makes when you light the oven with a match.                                                                          

Then there was the new washing machine. I pack lightly when I go away to write. I mean to say: the car is full of stuff—much of it dog-related, and some of it bourbon—but I don’t bring a lot of clothes, so I’m happy to have a washer dryer in the house, and I often throw something into the washer while I’m writing. This new machine could be featured in a museum as The Loudest Washing Machine in the World, and it makes what I can only describe as a rhythmic mechanical gagging sound for the entire cycle. It’s some sort of water-saving design, which is, I guess, mandatory, but seems a little silly when you’re only steps away from—literally—a quadrillion gallons of water. I found the gagging somewhat less charming than the nesting squirrels.  As if this were not enough, it beeps. Not once, for each time you choose a cycle, or once when it’s finished, but every 30 seconds after the cycle, until you interrupt the sentence you’re writing to get up and open the lid. I have had the care of less demanding puppies. 

Thankfully, I was able to close the door to drown out the worst of the noises, but the beeping penetrated the walls. Not surprisingly, the matching dryer is also an electronic nag. But the thing is, if they make weird gurgling noises and show signs of nausea, how would you know until you got them home? I have a new washer and dryer at home, and they both have the options to turn off the signals. I made sure of that. Of course, I don’t live in the same room with them, either. So there’s that. 

But still.

It used to be that appliances would sit silently and make themselves useful. Now, for reasons I do not understand, they seem to feel a need to call attention to themselves, as if, like electronic toddlers, they are announcing: Look at me! Look what I’ve done!

It strikes me as an indication of a deeply flawed society. What personal failings have led us to develop narcissistic appliances? Is it a reflection of modern life, the electronic equivalent of so-called influencers, who must announce their doings on Twitter, Instagram, Pinterest, and Facebook, or be forced to question the value of their own existences? Have we created appliances like ourselves? Is there anyone who likes this incessant mechanistic signaling? Or is there something about the electronic miasma in which we all exist that assimilates our nerves into a state of noise acquiescence? Is there some consumer movement I need to join to dissuade manufacturers from this evil path?  

The last time I bought a microwave oven I asked the saleswoman which ones beeped only once and stopped. It was clear by her reaction that no one else had ever asked this question, but she dutifully investigated the beeping of each one, no doubt thinking bad words that I am grateful not to have heard. But each time I buy a new appliance, I find that the noise factor has intensified, as if this has become a signal—as it were—of improvement. I believe it is, instead, an instrument of consumer torture.

A few days after I got home and settled into a new appreciation of my quiet appliances, the brand new, very expensive water heater silently burst a valve and unobtrusively leaked water all over the basement floor. 

I felt oddly grateful.

Bas Bleu Interviews J.F. Riordan

We’ll hazard a guess that, at least once in your life, you’ve fantasized about packing up your life and moving to (what feels like) a different world—an idyllic small town, a bustling metropolis, a remote windswept isle… In J. F. Riordan’s sparkling North of the Tension line series, a writer does just that, moving from Chicago to a sparsely populated island in Door County, Wisconsin. Her ensuing small-town adventures are presented with enormous heart throughout this delightful series. Today in the Bluestocking Salon, Bas Bleu sat down (virtually, no masks required!) with novelist J. F. Riordan to learn more about why she chose Door County as her setting, how opera helped shape her novelist’s voice, and what effects the COVID-19 pandemic has had on her writing. Continue reading →